Getting even worse lag on the PC version of Fortnite, and I’m afraid that means my connection would be just as bad in PUBG.
Started looking for videos of hostile Thargoid encounters and immediately felt the pull of the cockpit view and that music and oh hell no I’m not falling for that again — closed the window.
Eye twitches are the next frontier.
Gameplay prototype for DmC based on the art direction (crumbling, floating architecture) Tried to incorperate this into gameplay #Blocktober
The Midsummer Station #magicavoxel @ephtracy
Interesting that the new Oculus controllers switch to trackpads. I always thought Touch’s joysticks were an asset compared to Vive.
Didn’t know, and kind of amazed, that Gear VR includes streaming. Rendering VR plus encoding video plus uploading it. In a phone.
Facebook offers a billion dollars for your company. The cash enables you to flood the world with your product, but Zuckerberg and other Facebook people and products will take up half the air time of every future keynote. Tough choice.
I refuse to believe that Medium and Quill artists live in a world where anyone cares what dregs are published on their Facebook feed.
Uh oh, Sansar et al. are spending a lot of time and money trying to build a metaverse while Disney can whip out its own full-fledged social app for Coco instead of building a level in someone else’s world.
Every single time I update my drivers I think, fuck you Nvidia for the ads and storefront.
That can’t be good for the brand.
I shouldn’t have posted that before the update was over. It failed, of course, and I’m now in 640×480.
Did a bit of spring cleaning in my Steam backlog; I really need to stop buying crap just because it’s on sale and somehow has okay reviews.
After playing Scanner Sombre in VR — and that being one of my best VR experiences — it feels so wrong to play a walking sim on flat screen.
(This one looks particularly beautiful)
The most important and telling line in EA’s cancellation of their Uncharted-inspired Star Wars game is this. They want a Destiny.
Seriously, there’s room for what 2, maybe 3, service based open world action games? It’s like the fucking MMO “gold rush” all over again.
Every linear single player game from a published studio that comes out over the next 2-3 years is a miracle. Support them if you like them.
#museum #modernart #concept #voxel #voxelart #magicavoxel
I feel like the last five Assassin’s Creeds have all been reviewed as “the one that’s beginning to get better again.” Fool me twelve times…
It’s a pity Ubisoft wasted Egypt on a Division clone. It would make a great setting for after they’ve digested Breath of the Wild’s lessons.
I want to run around historical cities, in weird “What if?” scenarios, and beat like ten dudes in a fight because it looks cool. #ACOrigins
On n’est pas bien là, en pleine esbrouffe à la française ?
It’s becoming a cliche at this point, behind every troubled EA game is: “We had to add a lot of systems that Frostbite didn’t support.”
Started the Tormet:ToN free weekend last night and maybe 2am wasn’t the right time for it but oh my god I did not enjoy the prose.
Ten minutes of Obduction made me reconsider my wish for The Witness in VR. Moving around large areas is a lot more frustrating than in flat.
Google Earth VR has added a human-scale mode (removing the diorama effect) and without the parallax it’s like looking at a low-res photo 😨
Hey, that’s kind of a lot of PSVR games being announced. Okay, they weren’t considered worthy of the main event, but still.
Even if Oure’s trailer gives a bit too much of a Journey-knockoff vibe, I’m totally up for playing as a Chinese dragon.
I’m curious to see how interactive Concrete Genie manages to really be, but you can probably count me as a sale.
As great as Far Cry 5 looks, as fun as full co-op must be, I don’t think I can give them money if their PR sticks to “we’re totes not trying to be political.”
Ubisoft confirms that Far Cry 5 is a Ubisoft game
This year on the David Cage Emotional Manipulation Hour: Same Dirty House, Different Bullshit Premise!
I think this is the first Sony event I’ve seen where the director bothered to switch between trailer and stage cam at the right moments.
A remaster of Shadow of the Colossus every two or three years to make it keep up with the way you remember it.
Seriously can we fuck off with using abuse as a shortcut for selling how bleak a game is in marketing material.
“Pas de meilleur moment pour être un gamer ! Et pour terminer le show, voici une scène de pendaison et de torture.” Bon.
It’s not needed. Games can cover this stuff but doing it out of context for shock value does a disservice to victims and the game.
Not sure having a woman being held down while a man breaks her arm with a hammer is the first impression I’d want people to have of my game.
That music never fails to get me.